The International Living Future Institute unveiled its Net Zero Energy Building Certification program in October 2011. In April 2012, the ILFI announced that it had awarded its first two certifications under the program.

Meeting any set of sustainable building standards is a challenge, but to reach net zero status – supplying 100% of a building’s energy needs through on-site renewable sources – is surely the Holy Grail of green design. The Living Building Challenge, a third-party certification program offered through the International Living Future Institute (ILFI), has recently launched the Net Zero Energy Building Certification option, and two projects have already attained certification. This program is not just another set of checklists, however. Following the poetic analogy of a flower, the ILFI uses the dandelion as a logo and emphasizes beauty, collaboration, and curative properties, giving back to the community and paying it forward.

DMSAS designs a new performing arts center that will outlast the $20 in your pocket.

Las Vegas is known for its over-the-top re-creations of period architecture and, in some cases, of entire cities. Where else can you view interpretations of Caesar’s Palace, an ancient Egyptian pyramid, and modern-day New York City? The newest addition to Vegas’s collection of notable architecture is an Art Deco behemoth inspired by the nearby Hoover Dam.

Bay Area architect David Stark Wilson, founder of WA Design, published a collection of photographs that highlights the vernacular architecture of California’s Central Valley and the foothills of the Sierra Nevada.

Structures of Utility, published by Heyday Books, breaks with the traditional coffee table photography book layout and instead feels more like an architectural monograph. David Stark Wilson supplements his black and white photographs with concise text that places his subjects within a historical context, layered with his personal memories and experiences.

A new luxury residential tower in Vancouver provides a twist on the typology

It’s not hard to imagine why developers flock to the waterfront of Vancouver, British Columbia. Concord Pacific Group has built many high-rise glass and concrete residential towers there, but the Erickson Building – a new 17-story, 61-unit development – stands out among their portfolio. Designed in the style of legendary Canadian architect Arthur Erickson, known for his modernist concrete structures, the Erickson’s twisting form rotates counterclockwise and then shifts clockwise, evoking the motion of the water below. Between concrete columns, expanses of glass capture panoramic views of downtown Vancouver, False Creek, the Strait of Georgia, and the Pacific Ocean beyond.

A new academic facility by OMA supports Cornell University's College of Architecture, Art, and Planning (AAP) while bridging several historic campus buildings.

As if designing space for an architecture school weren’t a complicated enough feat, try maneuvering around four historic buildings. OMA’s New York office designed an extension to Cornell University’s College of Architecture, Art, and Planning in Ithaca, New York, which officially opened last October. The modern yet reverent structure consolidates these previously separated programs and promotes interdisciplinary interaction within its open and flexible studios, critique spaces, plaza, and auditorium.

A world-class performing arts center harmonizes between town and gown, technology and energy-efficiency.

Located in Southern California’s San Fernando Valley, California State University’s Northridge campus (CSUN) is home to a new $125 million, 166,000-square-foot performing arts center. The Valley Performing Arts Center, certified LEED Gold, was designed by Minneapolis-based HGA Architects and Engineers, specialists in this facility type. The architects faced several challenges in creating a world-class center that incorporates advanced technologies without compromising energy efficiency and also redefines the campus edge while embracing the community.

The fifth and final article in Buildipedia’s series on the Riverside Museum takes a look at some of the less visible aspects of this spectacular building: the HVAC system, acoustic engineering, and more.

“Complex geometry” is a phrase that successfully sums up Zaha Hadid’s Riverside Museum of Transport and Travel in Glasgow, Scotland – particularly its roof plane. According to Rod Manson, partner and engineer with Buro Happold, “The roof was commonly referred to as the ‘fifth elevation’ on the project.” Its zigzag form, coupled with the vast size of the exhibition space beneath, created several challenges for the engineers tasked with integrating the building systems while ensuring a streamlined look, both inside and out. “It was very important to the architect that the MEP systems be invisible and blend in with the overall building form,” explains Manson. He shared a few of Buro Happold’s clever solutions.

Second in a five-part series on Glasgow’s Riverside Museum, this article examines the building's structural engineering. International engineering firm Buro Happold provided structural engineering services. Follow Buildipedia throughout the month of March to read in-depth coverage of the Riverside Museum's various design and engineering systems.

Zaha Hadid is known for designing buildings with far-out forms. The recently completed Riverside Museum in Glasgow, Scotland, lives up to this reputation, featuring a zig-zagging profile in plan and section. Although seeming to defy gravity with its column-free spans, the building conceals some savvy structural maneuvers beneath its sleek skin of zinc. Engineering giant Buro Happold was the wizard behind the curtain.

A single-family home conceived as a series of pavilions harmonizes with its site, while showcasing several art-meets-architecture pieces.

David Stark Wilson, AIA, is one of those rare architects who pursues passions beyond his profession. An avid mountaineer and photographer (his third monograph is soon to be hot-off-the-press), Stark Wilson’s love of nature is evident in his built work, particularly in his designs’ relationships with their sites and his subtle incorporation of texture and color. He founded the design/build firm WA Design in San Francisco’s Bay Area in the mid-1980s. Since then, the firm has completed a range of residential and commercial projects including the Saratoga Creek House, for which it simultaneously served as architect and contractor.

A second home in Connecticut features an earthy materials palette that is detailed to look clean and contemporary.

Architect Alan Organschi’s experience as a cabinet maker and carpenter colors his firm’s thoughtfully detailed designs, which celebrate materiality. He believes this hands-on approach has set the ethos for his practice, Gray Organschi Architecture, which he founded with partner Lisa Gray in New Haven, Connecticut. The duo has designed a range of institutional, commercial, and residential projects, such as the Kent House. The design of this home exemplifies the unique balance the firm has achieved between functional and bespoke.