HOK Architects has partnered with the U.S. Green Building Council to rebuild a Haitian orphanage. As early adopters of biomimicry principles, HOK Architects took inspiration from the native Kapok tree for the building’s design.

The lives of thousands of children were devastated by the magnitude 7.0 earthquake in Haiti on January 12, 2010, but thanks to a building initiative, many of these children will soon have a new place to call home.

Contractor to Contractor: In this first of a two-part series, contractor-turned-homebuilder Fernando Pages Ruiz discusses permeable pavement, which allows rain and snow to seep into the ground.

What Is Pervious Pavement?

Pervious concrete came to the attention of the building community in the United States after Congress passed the Clean Water Act in 1987. With restrictions in the amount of stormwater runoff permitted from roads, parking lots, and other impermeable surfaces, some developers began to look for environmentally friendly alternatives. They found it in an exotic, water-sucking concrete first tested in Florida about 30 years ago as a flood-control device. Engineers placed highly porous concrete paving in spots along Florida roadways frequently submerged by heavy downpours. The permeable surface provided a quick-drying roadway that didn’t stay flooded after the storm.

This month’s featured home in Madison, Wisconsin, is the personal residence of Carol Richard, AIA, LEED AP, and founding partner of Richard Wittschiebe Hand, an award-winning firm in Atlanta, Georgia.

Architect Carol Richard isn’t new to the challenges and rewards of designing and building green homes. In fact, she has spent her entire career helping her clients to marry livable, modern aesthetics with sustainable design. So when she and her husband, mechanical engineer Fred Berg, began to make plans to build their full-time residence upon retirement, the experienced duo was determined to pour all of their collective knowledge and expertise into a sustainable-living dream home.

Welcome to the On Site channel’s Construction Administration Column. What should you do when there is a discrepancy between the amount on a payment application and the amount that was contracted? Here David A. Todd, P.E., CPESC, gives his opinion.

Columnist David A. Todd, P.E., CPESC, has 37 years of experience in the architecture, engineering, and construction (AEC) industry and has performed much construction administration during that time. He will answer questions from our readers or from his own practice and will provide answers based on his understanding of the construction process and administration of the construction contract. The focus will be on the customary duties of the owner, contractor, and design professional as typically described in the contract documents.

In September 2011, publisher Rizzoli New York released The Glass House, a photo tour of Philip Johnson’s famous estate. The book includes text by Philip Johnson himself and by architecture critic Paul Goldberger, and is the official Glass House book of The National Trust for Historic Preservation. Robin Hill’s photo “Glass House Dawn” was selected to appear on the book’s cover.

Below is the final piece of a three-part installment wherein Robin Hill shares his experience of photographing the Glass House estate. View Part One and Part Two for the rest of the story.

My journey continues in its roundabout way, and I am now upon a gate, the likes of which I have never seen before. It is most unusual. I try to find a historic connection to its design but find none. What I do find is a beautifully scaled, welcoming structure that entices one to enter. It is everything that an entrance way to a gated community is not. Even when the barrier is down, it feels open. The Pillars rise high on both sides and are painted a welcoming tone of brown, quite different from the brown that smothers the library. Slung low across the bottom quarter is a brushed aluminum tube that splices the composition perfectly, both in terms of its height and its color. The gate is also quite a trick of visual play, as it actually consists of four pillars, not two as it appears from the full frontal view. The pillars on either side stand back to back with their identical twins behind them. This is a very clever way of hiding the mechanism that lifts and lowers the gate. The wires are hidden from the front view and delicately balance the gate between the two pillars. The engineering is sublime and gives a gentle equipoise to the whole structure. There are not enough Os in the word "smooth" to describe this gate.