Third-party verification, the basic concept at the heart of the Leadership in Energy and Environmental Design (LEED) program, is both its greatest strength and its greatest burden. The U.S. Green Building Council (USGBC) has long struggled to establish a practical system in which a series of independent verifiers work seamlessly together to achieve building certification.
When describing the changes made to Leadership in Energy and Environmental Design (LEED) for 2009, the U.S. Green Building Council (USGBC) uses the word “harmonization.” According to Marie Coleman, a Communication Associate with the USGBC, this refers to the fact that all LEED commercial rating systems are now aligned on a 100 point scale.
Urban living has many advantages – increased walkability, access to public transportation, and a wealth of things to do in the area, among a host of others. One disadvantage of an urban location, however, is living in the smaller space that generally accompanies city life. Size limitations can make designing a home – whether a house, duplex, or apartment – quite problematic. Renting, rather than owning, puts further constraints on what improvements can be made. To tackle these challenges, we spoke with Cleveland-based architect Robert Donaldson of MOD{all}Studio and Los Angeles celebrity interior designer Michelle Workman to share some ideas for designing small spaces.
2012 surprised us with some of the most innovative and original architectural builds to date. Here are our top 10 moments from 2012.
Replace an old light fixture in a few easy steps with our helpful guide.
Old light fixtures can make a room look dated. Funny thing is, installing new light fixtures is one of the easiest things to change and is a job any do-it-yourselfer can tackle. Join our host, Jeff Wilson, as he demonstrates the job of removing an old fixture and replacing it with a new one to brighten up your room.
Has your head been in the gutter lately? A properly installed gutter and downspout system performs a seemingly simple task, collecting water that drains off the roof and directing it away from the home. Quite often, homeowners pay little to no attention to their gutters and downspouts, and the system in turn performs poorly or even fails. Lack of maintenance allows for clogs, leaks, and potentially damage to your home. These issues are more extensive and costly to repair then to prevent with a little maintenance.
Sometimes, large-scale urban changes need to be made one step at a time. The concept of incremental urbanism is gaining traction in some communities.
Although economics and planning are considered sciences, it seems that "quality of place" is best captured when revitalization is approached as an art. Science is filled with models, many of which are all too familiar. However, it seems that many of the models employed in our economic revitalization efforts are just not working. As some groups try to identify a magic bullet that will turn around struggling (read: surviving) communities, others look to a more organic, connected solution that is better suited to our economic, political, and social culture. We talked with architect Alan Pullman of Studio One Eleven about the use of the incremental urbanism approach and its potential for revitalization.
The winning competition entry that Foster + Partners provided to the New Mexico Spaceport Authority makes no reference to the innate femininity of the firm’s design for Virgin Galactic’s Terminal and Hangar Facility at Spaceport America in southern New Mexico. My response to this intuitively sensual design, however, was an immediate attraction to the curvaceous feminine symbology of the Terminal building.
Demolition projects can range from small, simple jobs to complicated undertakings that require sophisticated and detailed planning. Site conditions can vary significantly, and there is always a degree of imprecision to the wrecking of the building itself. For typical building demolition and site improvements the most common procedure is to use heavy mechanical equipment such as wrecking balls, excavation hoes, grapples, pulverizers, crushers, and hydraulic breakers and shears. Several factors need to be considered prior to and during demolition, including the scheduling of demolition activities, protecting the site (especially important with occupied structures), and dealing with hazardous materials.
The Harris Boulevard House in Austin, Texas, provides a nice counterpoint to some of the more formulaic house types that dot the landscape. Its owners wished to create an amalgamation of their favorite architectural styles, which brought a certain rigor to the design process. During the couple's extensive travels in Asia, they developed a liking for Pacific Rim architecture, where the International Style is influenced by local building types. Additionally, the wife was born in Houston and then moved to Nebraska, so she has a fondness for the more classic homes of the Midwest.
A Spanish Renaissance building in Houston gets a much needed restoration and is finally completed, according to the architect’s original intent, more than 80 years after the first stone was laid.
The Julia Ideson Building has been a Houston landmark since it opened in 1926. Designed by architect Ralph Adams Cram of the Boston firm Cram and Ferguson, the Spanish Renaissance structure served as the Houston Central Library until 1976 and has long been regarded as one of the city’s most prominent public buildings. The library’s first director, Julia Ideson, was also regarded as one of Houston’s most prominent citizens.
The Bacardi Building provides a striking example of Miami Modern (MiMo) hybridized with the International Style in Miami, Florida.
Some combinations are just irresistible: Fred Astaire and Ginger Rogers, Lennon and McCartney, Simon and Garfunkel, Bacardi and Coke. That such a relationship exists between two buildings may seem to be a little of a metaphorical stretch – that is, until you encounter the two superbly crafted buildings that make up the Bacardi building complex here in Miami. One building stands tall and proud, the other spans wide and colorful. If the Bacardi buildings were a song, they might be that famous Lennon and McCartney recording, "A Day in the Life" from the 1967 album Sgt. Pepper's Lonely Hearts Club Band. Lennon's more caustic lyrics rise in tone, defining the plaza of their music, and McCartney's optimistic retort playfully provides a backdrop. Bacardi's tower, designed by Enrique Guitierrez in 1964, rises cool and architecturally fecund from its concrete roots, and Bacardi's cube, designed by Ignacio Carrera-Justiz in 1973, dances atop a hopeful plinth behind the scenes. It’s a very graceful juxtaposition. To extend the metaphor, it is like the juxtaposition afforded by Lennon and McCartney in "A Day in the Life," in which the contrast is emphasized by the Royal Philharmonic Orchestra playing backward. In the Bacardi complex, the work of Guitierrez and Carrera-Justiz is divided by Bacardi's corporate logo, the Bat. Stroll through the plaza and find yourself transported into a world of modernist sophistication, spatial clarity, and a cool urban rhythm that Vitruvius would have delighted in.
